Thursday, October 23, 2014

Chapter Rename

Chapter 1: Brahmin or Samana
This is a suitable title for the first chapter because Siddhartha decides he will join the Samanas but it is unsure to the reader whether or not he will return to the Brahmins.

Chapter 2: Emptiness
In this chapter, Siddhartha tried to empty his Self in order to let it die.  

Chapter 3: Gotama's Teaching
In this chapter, Siddhartha and Govinda listen to the Buddha's teaching.  Govinda decides he will follow the Buddha, but Siddhartha realized the Buddha's teaching could not tell him what the Buddha had experienced in order to achieve enlightenment.  

Chapter 4: A Walk of Contemplation
It was in this chapter that Siddhartha realized he belonged to no one and did not need a teacher.  He had no reason to go back home to his parents or search for a new teacher.  

Chapter 5: A Kiss for a Poem
In this chapter, Siddhartha meets a Kamala, a courtesan, who refuses to have relations with him until he wears nice clothes and has money.  Siddhartha makes a poem for Kamala and in return she kisses him. 

Chapter 6: A Rich Samana
In this chapter Siddhartha earns a lot of money and he begins to gamble and become greedy, but Kamala is always able to see he is still a Samana.  

Chapter 7: He Leaves Again
In this chapter Siddhartha again realizes he is not living his life in a way that feels right so he leaves Kamala and the town.  

Chapter 8: Om
Om was the sound that saved his life.  Siddhartha entered the river as an act of suicide, but when he heard the sound of the "Om" he realized he should not die.  

Chapter 9: To become a Ferryman
It is in this chapter that Siddhartha had begun to learn from the ferryman, the same ferryman who had taken his across the river previously.  

Chapter 10: Kamala's Son
In this chapter, Kamala and her son are by the river when Kamala is bitten by a snake and is severely injured.  It is at this point in the novel that Siddhartha meets his son whom he had with Kamala.  

Chapter 11: A Perfect Word
Siddhartha was told by Vasudeva that he was to listen to the river.  When Siddhartha listened to the river all the voices and sounds mixed together creating the Om, the perfect word.  

Chapter 12: Govinda meets Nirvana
In this chapter, Govinda travels to the river to see the ferryman he had heard so much about.  He soon saw that the ferryman was Siddhartha and they began to talk.  Siddhartha soon told Govinda to kiss him on the forehead and Govinda came to realize that Siddhartha had reached nirvana and found bliss.  

Saturday, October 18, 2014

Siddhartha Abridged

        There was happiness in his father's heart because of his son who was intelligent and thirsty for knowledge; he saw him growing up to be a great learned man, a priest, a prince among Brahmins.  Govinda, his friend, the Brahmin's son loved him more than anyone else (4).  Siddhartha had begun to feel the seeds of discontent within him (5).  In the evening, after the hour of contemplation, Siddhartha said to Govinda: "Tomorrow morning, my friend, Siddhartha is going to join the Samanas" (9).  Siddhartha said: "With your permission, Father, I have come to tell you that I wish to leave your houses tomorrow and join the ascetics" (10).  "You will go into the forest," he said, "and become a Samana" (12).
        Siddhartha had one single goal - to become empty, to become empty of thirst, desire, dreams, pleasure and sorrow - to let the Self die (14).  Siddhartha learned a great deal from the Samanas; he learned many ways of losing the Self (15).  At his side lived Govinda, his shadow; he traveled along the same path, made the same endeavors (16).  The name of Gotama, the Buddha, continually reached the ears of the young men, spoken of well and ill, in praise and in scorn (20).  On the same day, Siddhartha informed the eldest Samana of his decision to leave him (23).  
        "Good lady, we should very much like to know where the Buddha, the Illustrious One, dwells, for we are two Samanas from the forest and have come to see the Perfect One and hear his teachings from his own lips" (25-26).  Siddhartha saw him and recognized him immediately, as if pointed out to him by a god (27).  "Today we will hear the teachings from his own lips," said Govinda (28).  Govinda, my friend, you have taken the step, you have chosen your path."  In that moment, Govinda realized that his friend was leaving him and he began to weep (30).  
        Slowly the thinker went on his way and asked himself: What is it that you wanted to learn from teaching and teachers, and although they taught you much, what was it they could not teach you? (38).  He looked around him as if seeing the world for the first time; the world was beautiful, strange, and mysterious (39).  But as these thoughts passed through Siddhartha's mind, he suddenly stood still, as if a snake lay in his path.  Then suddenly this also was clear to him: he, who was in fact like one who had awakened or was newly born, must begin his life completely afresh (40).  
       Before evening of that day [Siddhartha] reached a large town and he was glad, because he had a desire to be with people.  In the middle, in an ornamented sedan chair carried by four people, sat a woman, the mistress, on red cushions beneath a colored awning (51).  He inquired from the first people that he met about the grove and the woman's name, and learned that it was the grove of Kamala, the courtesan, and that besides the grove she owned a house in the town (52).  He must have clothes, fine clothes, and shoes, fine shoes, and plenty of money in his purse and presents for Kamala (54).
        Siddhartha went to see Kamaswami, the merchant, and was shown into a rich house (63).  "We shall have plenty to discuss, but today I invite you to be my guest and to live in my house" (65).  He was not long in Kamaswami's house when he was already taking part in his master's business (66).  If he made a profit, he accepted it calmly; if he suffered a loss, he laughed and said, "Oh well, this transaction has gone badly" (67).
        He had become rich (75).  However, with the exception of Kamala, he had no close friends (76).  His heart was so full of misery, he felt he could no longer endure it (81).  He sat all that day under the mango tree, thinking of his father, thinking of Govinda, thinking of Gotama (84).  The same night Siddhartha left his garden and the town and never returned (85).
        Siddhartha reached the long river in the wood, the same river across which a ferryman had once taken him when he was still a young man and had come from Gotama's town (88).  He saw his face reflected, and spat at it; he took his arm away from the tree trunk and turned a little, so that he could fall headlong and finally go under.  At that moment, when the sound of Om reached Siddhartha's ears, his slumbering soul suddenly awakened and he recognized the folly of his action (89).  That was why he had to undergo those horrible years, suffer nausea, learn the lesson of the madness of an empty, futile life till the end, till he reached bitter despair, so that Siddhartha the pleasure-monger and Siddhartha the man of property could die (100).
        When he reached the ferry, the boat was already there and the ferryman who had once taken the young Samana across, stood in the boat (102).  "You once previously took me across this river without payment, so please do it today also and take my clothes instead" (103).  "Come and live with me; there is room and food for both of us."  The rich and distinguished Siddhartha will become a rower; Siddhartha the learn Brahmin will become a ferryman" (105).  One day, when very many people were making a pilgrimage to the dying Buddha, Kamala, once the most beautiful of courtesans, was also on her way (110).  Then [Siddhartha] saw Kamala, whom he recognized immediately, although she lay unconscious in the ferryman's arms (111).  Silently she looked at him and he saw the life fade from her eyes (113).
        For many months Siddhartha waited patiently in the hope that his son would come to understand him, that he would accept his love and that he would perhaps return it.  Your son, my dear friend, is troubling you, and also me (118).  The following morning he had disappeared (124).  Siddhartha had been in the forest a long time when the thought occurred to him that his search was useless (125).
        One day, when the wound was smarting terribly, Siddhartha rowed across the river, consumed by longing, and got out of the boat with the purpose of going to town to seek his son.  The river was laughing clearly and merrily at the old ferryman.  He remembered how once, as a youth, he had compelled his father to let him go and join the ascetics, how he had taken leave of him, how he had gone and never returned (131).  "You have heard it laugh," [Vasudeva] said, "but you have not heard everything.  Let us listen; you will hear more" (134).  When Siddhartha listened attentively to this river, to this song of a thousand voices; when he did not listen to the sorrow or laughter, when he did not bind his soul to any particular voice and absorb it in his soul to any one particular voice and absorb it in his Self, but heard them all, the whole, the unity; then the great song of a thousand voices consisted of one word: Om-perfection (136).
        When Govinda moved on, he chose the path to the ferry, eager to see this ferryman, for although he had lived his life according to the rule and was also regarded with respect by the younger monks for his age and modesty, there was still restlessness in his heart and his seeking was unsatisfied" (139).  [Govinda said to Siddhartha,] "are you not also a seeker of the right path?" "When someone is seeking," said Siddhartha," it happens quite easily that he only sees the thing that he is seeking; that he is unable to find anything, unable to absorb anything, because he is only thinking of the thing he is seeking, because he has a goal, because he is obsessed with his goal" (140).  "Kiss me on the forehead, Govinda" (149).  And all these forms and faces rested, flowed, reproduced, swam past and merged into each other, and over them all there was continually something thin, unreal and yet existing, stretched across like thin glass or ice, like a transparent sin, shell, form or mask or water - and this mask was Siddhartha's smiling face which Govinda touched with his lips at that moment (151).  

Sunday, October 12, 2014

Film Adaptation

1. WHO?

Johnny Depp. Digital image. Wikipedia. Wikimedia 
Foundation, n.d. Web. 10 Oct. 2014.

John Christopher Depp II (Johnny Depp), actor and director, is an impeccable choice for the role of Siddhartha in this screenplay. Mr. Depp has proven his ability to play the lead role in a multitude of cinemas that follow the protagonist along their journey such as Pirates of the Caribbean.  He is known for winning many awards including the Golden Globe Award for Best Actor which illustrate his exceptional theatrical performances.  Johnny Depp has the ability to depict the feelings and emotions of Siddhartha such as suffering and enlightenment as he journeys to find meaning.  This is evident in his leading performances in motion pictures such as The Lone Ranger, Pirates of the Caribbean, and Sweeney Todd: The Demon Barber of Fleet Street.  Not only is Johnny Depp a magnificent choice for this role, but he attracts large audiences to films in which he stars.



Brad Pitt. Digital image. Brad PittPhootoscelebrities,
18 July 2014. Web. 11 Oct. 2014.
William Bradley Pitt (Brad Pitt), actor and producer, is a valuable asset to any film and therefore should be starred in this cinema as Govinda, the companion of Siddhartha for critical portions of Siddhartha's journey.  Govinda has various important roles in this film including leaving Siddhartha's side to find his own enlightenment.  Pitt is well-known for starring in many history films including Troy and 12 Years a Slave.  Mr. Pitt and his scores of fans can attest to his ability to play this role by referring to his Golden Globe Award for Best Supporting Actor.   Brad Pitt is a foolproof actor for this role because he is able to support the leading actor with great ease and success as well as attract large audiences of all age and gender to the film's debut.


Mila Kunis Hair Styles. Digital image. OK Magazine.
N.p., 21 Nov. 2013. Web. 11 Oct. 2014.
Milena Markovna Kunis (Mila Kunis), American television and cinema actress, is a fitting choice for the role of Kamala in this screenplay based on her experience as a supporting female role.  Her roles in movies such as Ted display her ability to play the role of Kamala, a women who is able to use Siddhartha's won thoughts to enlighten him.  Ms. Kunis' experience includes a leading role in the television series That 70's Show, the comedy film Ted, as well as many other successful performances of such nature.  Mila Kunis will not only add a flavorful twist to the motion picture, but will also attract audiences of both males and females.




Jack Gleeson. Digital image. IMDb.
IMDb.com, n.d. Web. 12 Oct. 2014.
Jack Gleeson, Irish actor, is a first-rate selection to play the role of Siddhartha's son.  Gleeson plays the role of Joffrey Baratheon in the television series Game of Thrones.  In this role he plays the arrogant and cruel king as he shows no sympathy, orders women beaten, and asks his siblings be killed.  Mr. Gleeson is the best choice for the role of Siddhartha's son because he can easily take the acting skills he learned shooting the Game of Thrones series and use them to properly portray Siddhartha's son as an arrogant and disrespectful child.  Gleeson has the ability to portray Siddharthas son in a manner no other actor would be able to do because of his experience playing the role of Joffrey in the Game of Thrones series.




Morgan Freeman. Digital image. IMDb.
IMDb.com, n.d. Web. 12 Oct. 2014.
Morgan Freeman, actor and director, is an excellent choice for the role of Vasudeva in this screenplay.  Vasudeva is a wise man who is able to enlighten Siddhartha on the last portion of his journey for meaning within the world.  Mr. Freeman has the ability to best portray the enlightenment of Siddhartha as already known to millions of audiences around the globe after watching films such as Bruce Almighty and the Batman trilogy.  Morgan Freeman is the perfect choice to fill the role of Vasudeva because he has experience in playing supporting roles that help the protagonist find enlightenment.







Torvik, Sara. Robert Downey Jr. Digital 
image. Shalom Life. N.p., 19 Sept. 2014. 
Web. 12 Oct. 2014.
Robert John Downey Jr., actor and producer, is a splendid pick for the role of Kamaswami in this depiction of Hesse's novel, Siddhartha, because he has played many a role in which he is depicted as not forthcoming of advise and sometimes quite lazy.   In the Iron Man series, from which Mr. Downey gained most of his fame, he illustrates a protagonist that is sometimes disrespectful of authority figures and was born into a wealthy family.  While he is known for playing multiple roles in films in which he is the leading actor, Robert Downey Jr. is the proper choice for this role because he can easily take his strengths from such movies and use it to correctly portray Kamaswami with characteristics such as a wealthy man finding refuge in the city and disregarding the advise of others.


Mark Harmon. Digital image. IMDb.
IMDb.com, n.d. Web. 12 Oct. 2014.
Thomas Mark Harmon (Mark Harmon), actor and producer, is a perfect choice for the role of Buddha in this screenplay because of his experience in acting and contributing philosophies in front of the camera.  On the infamous television series NCIS, Mark Harmon executes the role of Leroy Jethro Gibbs, a former marine sniper currently a detective at the NCIS agency.  As a detective he relays to his team his philosophy on life, a list of rules, as they investigate naval crimes.  Mark Harmon has the ability to represent Buddha in this cinema because of his experience in leadership roles in front of a camera as well as his portrayal of philosophy for large audiences.




2. WHERE?

As the director of the motion picture Siddhartha: A Journey for Meaning, I would film each scene in the infamous New York City.  New York City is the perfect place to film a movie referring to one's search for meaning in a world that seems to have none because many people walk through the city each and every day going from placed to place without even stopping to talk in the beauty and meaning that can be found within the city streets of the "Big Apple."  In the streets of New York City can be found various objects and people that hold meaning.  For example, it is nearly impossible to walk through NYC and not pass a homeless man or woman begging for money, some of which are military veterans.  Enlightenment may seem hard to find in all of the chaos of such a buzzing city like NEw York City, but in reality when you take the time to behold the world laid in front of you it is nearly impossible to miss the meaning found within everything around you.

3. WOULD YOU MAKE ANY CHANGES?

As director of this film I am proposing two alternatives to display in the creation of this work.  My first recommendation is to remove the sexual encounters between Siddhartha and Kamala because I believe that a women does not need to give a man her body in order to teach him meaning.  I think using sexual acts to teach a man is a completely illogical way of thinking.  My second recommendation of change for this film is to add another central character to the journey of Siddhartha's enlightenment, Siddhartha's mother.  The relationship between Siddhartha and his father as well as that between Siddhartha and his son are important along Siddhartha's journey but I believe another relationship added to the plot between Siddhartha and his mother would increase Siddhartha's enlightenment of meaning in the world.  A mother has the ability to give compassionate insight to their children and I feel this would benefit Siddhartha along his journey.

Tuesday, October 7, 2014

Modern Images of Siddhartha



K, Lin. I Just Gave You Beautiful. Digital image. Blogfa, Oct. 2014. Web. 07 Oct. 2014.

              The image above depicts the journey of Siddhartha because it portrays the suffering and experience Siddhartha encountered on his journey for enlightenment.   This image shows suffering through the tears falling from the human eye as well as a blue through which you can see for miles the pain and anguish of the sufferer.   Siddhartha, first living with  his family among the Brahmins, is unsatisfied and thirsts for knowledge.  As he travels to learn from new teachers he understands their teaching but still cannot find meaning and happiness within the world.  Siddhartha is still suffering throughout his journey.  This image shows that sadness and suffering can cause a multitude of actions stemming from the pain one may feel.  The person depicted in this image may lash out at others very easily or even feel a sense of uncertainty about them-self.  Of one who is suffering it is easy to cause more pain to others or one's self.  This image shows suffering through the tears falling from the human eye as well as a blue through which you can see for miles the pain and anguish of the sufferer.